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Lilach
Lotan
Artist’s Bio
I
discovered clay completely by chance, when exploring the art school
facilities while considering studies of Graphics Design at the "Bezalel
Academy of Arts and Design" in my home town - Jerusalem.
Watching
the lump of dirt being transformed and reshaped on the wheel before my
eyes, into a gorgeous vessel with an individuality and life of its own,
had just blown my mind away. I was completely, hopelessly hooked,
spending most of my next three years on the potters' wheel in
"Bezalel". The department of Ceramics Design had also facilitated my
second passion - Design. While designing a particular piece, I try to
erase from my mind all that has been done in that field, and start from
the beginning. That way I come up with a completely new, fresh and
contemporary design.
At the
heart of my design lies an idea, conveyed by shape, form and contour;
without the distraction of colours. The only shade being considered is
that produced by the object itself: Achromatic shades of light, and its
absence. The contour reveals itself by the presence and absence of
material, both of equal importance.
Our
everyday life is a compound of private, social and political events.
Some are insignificant; some are hard to shake off, leaving a deep
mark. Consciously and subconsciously I draw my inspiration from those
events and channel them into my work. My work is my way to connect with
the world. I've always had trouble expressing myself with words. My
language is clay. I create words on the potters' wheel, and then
combine and shape my sentences by hand.
Growing
up, I liked spending much time in my own micro-magical world of Lego
toys, train sets and assembly kits. As I mature as an artist and find
'my voice', I cannot ignore that early influence. Rarely do I throw a
vessel all in one piece. I constantly play Lego, but now, I get to
create my own units.
Website: www.ceramic-art.ca
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